The Guardian view on the analogue resurgence: the shock of the old | Editorial

Long-abandoned formats such as cassettes and VHS tapes are finding new life as consumers seek a digital detox

Ten years after the last video recorder manufacturer ceased production, the first straight-to-video movie for two decades – This Is How the World Ends – was released this month. The resurgence of vinyl began long ago; sales are at their highest level for over 30 years. But record buyers enthuse about the warmth of their sound and the generous visual expanse of album covers. In contrast, the new movie is shot in HD; the director acknowledges that those watching it on video will see a cropped, fuzzier image. The point of the exercise – beyond creating a buzz – lies not in the inherent qualities of VHS, but the effect of its rarity on the viewer.

When everything is available in high definition with one swipe of your screen, cumbersome physical formats that must be hunted down appear both nostalgically inviting and strikingly fresh. Last year, Taylor Swift’s The Life of a Showgirl was released in multiple physical formats, including cassette and CD – technically digital, but also enjoying a revival thanks to its retro feel. The title track of her previous album, The Tortured Poets Department, mocked a lover’s attachment to his typewriter, notoriously favoured by hipsters.